Apr. 18, 2012
By Kevin Oleksy
The CSC Theatre production of William Inge’s “Bus Stop” is a slow-but-sometimes-funny romp through the dated social mores of the 1950s.
Though I was disappointed with the play’s resolution, I was delighted by the wonderful set and the cast’s performance.
Apr. 18, 2012
By Kelsey Amos
The theatre department did a fine job of bringing “Bus Stop” to life, although the fact that the play was written in 1955 occasionally dated it.
Apr. 11, 2012
By Sara Labor
Chadron State’s Theatre program is driving into “Bus Stop” as their final performance of the 2011-2012 season. “Bus Stop,” written by William Inge, is a play set in the 1950s that follows the story of eight people who are stuck in a diner during a freak snowstorm.
Feb. 8, 2012
By Kevin Oleksy
CSC Theatre’s spring production of “An Adult Evening with Shel Silverstein” delivers a typhoon of hilarity carried on the backs of agile performances from the entire cast.
Feb. 8, 2012
By Kelsey Amos
“An Adult Evening with Shel Silverstein” is a dark comedy that lives up to the Black Box’s dark reputation.
Feb. 1, 2012
By Kelsey Amos & Hannah Clark
Memorial Hall’s Black Box Theatre is alive with anticipation. Plywood facades spring up to cover demure black walls. Stage lights ignite, illuminating actors who pace the black floors in practiced patterns.
Nov. 16, 2011
By Kelsey Amos
Without a doubt, the CSC Theatre Department has a reputation for producing dark, thought-provoking plays in the Black Box Theatre. Their production of “Doubt” is no exception
Nov. 16, 2011
By Kevin Oleksy
From the moment the first spotlight illumines a lone figure—a priest in a pulpit—John Patrick Shanley’s “Doubt” sets its audience on a path of uncertainty.
Nov. 9, 2011
By Hannah Clark
“Doubt,” John Patrick Shanley’s critically acclaimed drama, won the Pulitzer Prize in 2005 before being adapted to film in 2008.
Oct. 5, 2011
By Kelsey Amos
“You’re a Good Man, Charlie Brown” is a musical based on the comic strip “Peanuts,” by Charles Schulz. The CSC production is directed by Roger Mays, professor of visual and performing arts.